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627. Jack The Ripper: From Hell (Part 4)

The final atrocity attributed to Jack the Ripper marked a turning point not just in the case, but in how society perceived crime, class, and the vulnerability of women in Victorian England. This episode delves into the chilling details of a murder that transcended mere violence, becoming a cultural flashpoint.
The murder of Mary-Jane Kelly in Miller's Court was unlike any of Jack the Ripper’s previous crimes—more intimate, prolonged, and grotesquely violent. Her isolated room became a sealed chamber of horror, revealing the killer’s escalating brutality. The public response was immediate and profound, elevating Kelly from an anonymous victim to a tragic symbol. Media figures like W.T. Stead harnessed this fear, using sensational journalism to shape narratives around hidden evil and upper-class depravity. These stories merged with emerging ideas in forensic psychiatry, framing the Ripper as a psychological anomaly rather than just a criminal. The case exposed deep distrust in police, inspired fictional detectives like Sherlock Holmes, and embedded itself in cultural mythology. Ultimately, it wasn’t just the act itself, but the societal mirror it held up—reflecting anxieties about gender, class, and the unseen dangers lurking beneath the surface of modern life.
07:10
07:10
Dr. Phillips suppressed the full details of the murder at the inquest.
27:59
27:59
Barnett insisted she be buried as Marie Jeannette Kelly, a name tied to her fabricated past
48:05
48:05
Richard Mansfield's performance as Mr. Hyde was so terrifying that audiences suspected him of being Jack the Ripper.
1:03:43
1:03:43
Krafft-Ebing introduced sadism as a clinical concept through analysis of the Ripper murders.